An American language student moves to Europe to study French, Italian and German for a Masters degree in comparative literature. Her life takes an unexpected twist that sees Stacey Kent become one of the world's foremost jazz singers.

Stacey, who joined the Blue Note (EMI) roster of recording artists in 2007, now boasts eight best-selling albums, including the Grammy nominated, Platinum-selling, BREAKFAST ON THE MORNING TRAM (2007), THE BOY NEXT DOOR (2003) and RACONTE-MOI (2010), both of which achieved Gold status, a string of awards, including the 2001 British Jazz Award, the 2002 BBC Jazz Award for 'Best Vocalist,' the 2004 Backstage Bistro Award for best live performance, the 2006 "Album of the Year" Award for Jim Tomlinson's album, THE LYRIC, as well as a fan base that enables her to sell out concert halls around the world.

Stacey is currently touring her newest album release, DREAMER IN CONCERT, recorded live in Paris at La Cigale, released June 5, 2012.

Stacey's Blue Note release, BREAKFAST ON THE MORNING TRAM, features four original songs, including the title track, written especially for her by Jim Tomlinson and acclaimed novelist, Kazuo Ishiguro. Since its release in September 2007, it has been released worldwide in 38 countries. The album remained at the top of the French jazz chart as well as holding its own in the top 20 of the general album charts for over a year and saw Stacey and the band tour in 27 different countries in 14 months.

Stacey's next release, RACONTE-MOI, also featuring songs written especially for her, mixed with classic French chansons, went on to become the second best-selling French language album worldwide (outside of France), in 2010.

Stacey also went on to receive the CHEVALIER DANS L'ORDRE DES ARTS ET DES LETTRES, awarded to her by the French Culture of Minister.

The twist of fate that took her life in this new direction was a chance meeting in Oxford with saxophonist, Jim Tomlinson. Like Stacey, Jim was embarked on an academic path, but their meeting sparked in each other the desire to pursue their love of music together. After a year's study at the Guildhall School of Music, Stacey received immediate attention and recognition on the London scene in the company of, now husband, Jim Tomlinson.

A demo tape, sent simultaneously to Polygram Records, Candid Records and broadcaster, Humphrey Lyttelton, secured her a role in Ian McKellen's film version of RICHARD III, a recording contract and national airplay and endorsement from Britain's most respected jazz broadcaster.

Since the release of Stacey's first album, CLOSE YOUR EYES (1997), she has achieved, without compromise, both critical and popular success, with her fresh and heart-felt interpretations of the finest love songs of the twentieth century. But it was a feature on CBS SUNDAY MORNING in 1999 that gave Stacey national exposure in the USA and brought her to wider recognition. Since then, her career has continued to expand internationally, with Stacey traveling worldwide to concert halls from Taipei's Chiang Kai-shek Concert Hall to Carnegie Hall to the famed Olympia in Paris.

Stacey's admirers are not limited to the loyal fans that buy her albums and pack out her concerts. Best-selling crime writer, John Harvey, has Stacey sing, if only fictionally, in his latest novel, Still Water. A track from her third album, LET YOURSELF GO, was selected by Kazuo Ishiguro, on his appearance on DESERT ISLAND DISCS on BBC Radio. It was this event that led Kent, Ishiguro and Tomlinson to the songwriting collaboration that features regularly in their work.

Clint Eastwood invited Stacey to sing at his 70th birthday party, Michael Parkinson invited Stacey to sing on his television show, as did Sir David Frost, who asked her to join him one Sunday morning, to sing a song and review the morning papers with him on "Breakast with Frost" and Aerosmith's Steven Tyler , in a recent interview, listed Stacey, alongside Willie Nelson, as being among his favourite singers.

Most tellingly perhaps, Stacey is appreciated by the writers of the songs she sings.

Three-time Oscar-winning songwriter, Jay Livingston, wrote of her, "Stacey Kent is a revelation. There is nobody singing today who can compare with her. She has the style of the greats, like Billie Holiday and Ella Fitzgerald. And she sings the words like Nat Cole - clean, clear and almost conversational with perfect phrasing. And that's as good as it gets."

If there is one theme that runs through Stacey's music, it is that of romance. Stacey is herself an avowed romantic, and the songs she sings are timeless stories that touch young and old alike. She receives fan mail from people of all ages and nationalities and, in an age where music is more likely to divide than unite the generations, it is quite common for three generations of the same family to attend her concerts.

This romanticism is best demonstrated on the award winning recording with Jim Tomlinson, THE LYRIC. It is the most complete collaboration between Stacey and husband, Jim. On this album, Jim's saxophone and Stacey's voice achieve a level of empathy only hinted at on earlier recordings. As the New York Times', Stephen Holden put it, "Sometimes the chemistry between musicians and the chemistry of love get all tangled up in wonderful ways. When watching the jazz singer Stacey Kent make music with her husband, the tenor saxophonist Jim Tomlinson, it is easy to imagine yourself eavesdropping on intimate pillow talk by besotted partners in a luxury suite atop some faraway pop-jazz Olympus."

Stacey's two most current albums, BREAKFAST ON THE MORNING TRAM and RACONTE-MOI, hint at a more confessional side to Stacey's artistic persona. This is a more complete, personal and mature expression of feeling than Kent has delivered on any of her previous recordings.

It is not easy to account for Stacey's success and she herself remains characteristically coy. What is sure is that Stacey has a voice that grabs you. It demands to be listened to and yet never draws attention to itself. As her collaborator, Ishiguro put it in his liner notes to her 2002 album, IN LOVE AGAIN, "In song after song, we find a route to the emotional heart of the music without first having to admire her technique." Stacey's natural and unaffected delivery allows the craft of the songwriters, whose work she performs, to shine through. She has an appeal that transcends category.

Most recently, Stacey was selected by DREAMS BEDS to be the voice of their most recent advertising campaign with her version of HUSHABYE MOUNTAIN. 

WHAT THE PAPERS SAY ABOUT BREAKFAST ON THE MORNING TRAM

"Her voice is sometimes a whisper, sometimes a confiding murmur, sometimes an exhilarated exclamation; but whatever the idiom or the mood, individual listeners frequently feel that Stacey's music was intended for their ears only." - BANG & OLUFSEN MAGAZINE

"De la classe et un charme fou, peu importe la langue." - MADAME FIGARO, FRANCE

thoroughly captivating...(Kent's) voice has a startling clarity, turning phrase after phrase with subtlety and an impeccable feel for the music." - BILLBOARD


Disciple de Blossom Dearie dont elle partage la délicatesse comme la francophilie, l’Américaine Stacey Kent n’est pas la chanteuse de jazz la plus époustouflante, mais elle sait faire preuve d’un irrésistible charisme qui à lui seul explique son succès.Outre ces chansons françaises (Jardin d’hiver de Salvador, Ces petits riens de Gainsbourg) et ces standards de Broadway qui figuraient sur des albums antérieurs, elle nous propose sur ce live enregistré à Paris des relectures d’Antonio Carlos Jobim (Waters of March, Corcovado et Dreamer), ainsi qu’une nouvelle collaboration entre son saxophoniste et producteur d’époux, Jim Tomlinson, et le romancier nippo-britannique Kazuo Ishiguro. De la classe et un charme fou, peu importe la langue. -- VOIR, CANADA

voir.ca/fiches/cd/stacey-kent-dreamer-in-concert/  

"a unique and pleasurable listening experience that's easy on the ears and just right for whatever mood." - JAZZIZ

"the true brilliance of Breakfast on the Morning Tram lies in Kent's whip-smart interpretations of four originals with music by Tomlinson and lyrics from a surprising source, Kazuo Ishiguro... a marvelously inventive launching pad for this bold, brave new Kent."

- JAZZ TIMES

"devastatingly stylish...a beauty in any circumstances" - THE OBSERVER

"Stacey's best album yet ... if stars were awarded to music here, I'd definitely give it five" - JAZZ RAG

"Stacey Kent is an excellent singer... a classy and highly recommendable album" - THE DAILY TELEGRAPH

"delightful" - MOJO * * * *